Monjour is a "contemporary cartoon" made up of bodies in flesh and blood, guided by the irony of Silvia Gribaudi.
The show, made up of two dancers, a clown / actor and two acrobats, deals with the relationship between body and comedy, between drawing and aesthetics in the relationship between performer and audience.
What is their interdependence? What is the mutual responsibility between spectator and artist? In Monjour a director / performer dialogues from the audience with the performers, deconstructing and reconstructing the images that the audience sees during the performance and creating a comic and choreographic physical virtuosity.